Posted by: Kathy Temean | April 5, 2019

Agent of the Month – Kristy Hunter

Kristy Hunter at The Knight Agency is April’s AGENT OF THE MONTH and will be critiquing 4 first pages submitted. See bottom of post for guidelines.

The Knight Agency, based in Madison, Georgia, is one of the industry’s leading literary agencies, specializing in a wide array of fiction and non-fiction. TKA’s diverse list boasts bestselling and award-winning titles in romance, women’s fiction, science-fiction, fantasy, young adult, self-help, finance, diet, parenting and inspirational genres, among others. The agency is known for personalized client attention and a comprehensive range of services, including editorial refinement, branding consultation and strategy, in-house subsidiary rights and publicity support.

As a graduate of Vanderbilt University and The Columbia Publishing Course, Kristy Hunter began her publishing career in New York City—first as an editorial intern at Bloomsbury Children’s Books and then as a book publicist at Grove/Atlantic and Random House Children’s Books. When she moved to the agenting side of the industry, she was closely mentored by Deidre Knight, president and founder of The Knight Agency, and her first co-agented project sold at auction soon after. As an associate agent, Kristy enjoys being able to bring a unique perspective to her clients thanks to her diverse publishing background. When she’s not curled up with a fantastic book or manuscript, she can be found kickboxing or hiking with her dog and is an active member of SCBWI.

You can query Kristy Hunter at Query Manager HERE

Currently, Kristy is looking for new talent to add to her list. She loves voice-driven stories, strong characters, and being surprised by the unexpected. As a result, she is open to most genres but is specifically looking for upmarket fiction with a strong hook, commercial fiction, romance, historical fiction, thrillers, young adult, and middle grade. Books that feature a diverse cast of characters are always at the top of her list and she’d love to see even more own-voices projects in her inbox. Her #MSWL includes the following:

In adult fiction:

High concept women’s fiction such as Eleanor Oliphant is Completely Fine by Gail Honeyman and The Husband’s Secret by Liane Moriarty. As well, as stories that are literary but with commercial appeal such as Little Fires Everywhere by Celeste Ng and Lily and the Octopus by Steven Rowley. I especially love projects that capture the complicated nature of family.

Rom-coms set in wonderful urban settings such as The Hating Game by Sally Thorne and Crazy Rich Asians by Kevin Kwan

Mainstream titles with hints of magic like The Time Traveler’s Wife by Audrey Niffenegger and The Night Circus by Erin Morgenstern.

In YA fiction:

Fantasy projects that allow me to be transported in a way that feels new and fresh. I’d especially love to find a contemporary fantasy with a wonderful atmospheric setting. I also wouldn’t say no to paranormal…but it would truly have to be something I haven’t seen before

Magical realism

Historical projects that are serious in nature like Code Name Verity by Elizabeth Wein, as well as those that are more playful like The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee. I especially love historical mysteries and projects set in the Victorian and Regency periods.

Contemporary YA stories that are fun and unique, and overall present the perfect escape—even if they address larger issues. Think Dumplin’ by Julie Murphy, To All the Boys I Loved Before by Jenny Han and When We Collided by Emery Lord.

Thrillers and mysteries—either contemporary or historical. My favorites include Little Monsters by Kara Thomas and We Were Liars by E. Lockhart.

In MG fiction:

Contemporary projects in the vein of The First Rule of Punk by Celia Pérez, Where the Watermelons Grow by Cindy Baldwin, and Wish by Barbara O’Connor (I’m a sucker for a pet!).

Quirky mysteries that could be part of a larger series and stories involving shifting friend groups

Light fantasy and magical realism such as The Girl Who Drank the Moon by Kelly Barnhill and A Snicker of Magic by Natalie Lloyd.

HERE ARE THE SUBMISSION GUIDELINES FOR APRIL 2019 FIRST PAGE CRITIQUES:

In the subject line, please write “APRIL FIRST PAGE CRITIQUE”  Example: Paste the text in the email, plus attached it as a Word document to the email. Please make sure you include your name, the title of the piece, and whether it’s a picture book, middle grade, or young adult, etc. at the top on both the email and the Word document (Make sure you include your name with the title of your book, when you save the first page).

REMEMBER: ATTACH THE WORD DOCUMENT AND NOT GET ELIMINATED! Your First Page Word document should be formatted using one inch margins and 12 point New Times Roman font – double space – no more than 23 lines – only one page.

Send to: kathy(dot)temean(at)gmail(dot)com.

PLEASE FOLLOW THE GUIDELINES: Your submission will be passed over if you do not follow the directions for both the pasted email and the attached Word doc. This is where most people mess up.

DEADLINE: April 19th.

RESULTS: April 26th.

CHECK BACK NEXT FRIDAY FOR PART ONE OF MY INTERVIEW WITH KRISTY.

Talk tomorrow,

Kathy


Responses

  1. Looking forward to seeing the first-page results and Kristy’s thoughts. I’m assuming no adult fiction manuscripts for this exercise?

    Like


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